Phosphorescent Paints

7 Minute Read

Introduction

Objectives

We decided to evaluate the phosphorescent properties of these paints as much as possible in a home lab setting. It is assumed that the phosphor in the paints is Eu/Dy-doped strontium aluminate. The older type, Cu-doped zinc sulphide, is moisture sensitive which affects and degrades the phosphorescence properties. Since these paints are water-based acrylics, it is a safe assumption that we are dealing with doped strontium aluminate.  The main objective is to record the spectral emission characteristics for each paint, which will change and be dependent on the coloured dyes in the paints.

An additional experiment, if it turned out to be useful, was to determine if we could measure the rate of decay of phosphorescent intensity from a suitable paint sample when the excitation light source has been switched off. 

Materials and Methods

The paints were purchased for a few euros from one of the usual online sources (we all know which one) and came in a pack of 12 different colours.

There was no information on the box regarding the actual chemical composition of these paints, but all samples appeared to be thick acrylic based water soluble paints having been formulated with different coloured dyes or pigments and presumably with added strontium aluminate plus dopants to create the glow-in-the-dark effect as the manufacturer claimed on the box. 

Experimental Setup

In an initial examination, several drops of each paint sample were spread onto black card and left to dry for 24 hours. Images of the samples, under normal room light conditions and also under long wavelength UV light can be seen here:

Fig.1 Under Room Lighting
Fig.2 Under Near UV Light

An Oriel Sighting Optic with a 50mm camera lens was focused onto a 2mm diameter spot for each dried paint sample. More details of this sighting optic device and its advantages can be found in this post. The sighting optic was connected to an Oriel MS125 spectrometer and CCD detector with a 100µm optical fibre and an emission spectrum recorded for each sample.

Fig.3 The setup
Sighting Optic & Black Spot
Fig.4 Looking through the sighting optic.

Ordinary room light was sufficient to produce some limited degree of luminescence but a long wavelength UV lamp provides increased emission intensity. For irradiating each paint sample we used a low cost high intensity violet coloured LED bulb shown in Fig. 3, screwed into an angle poise lamp. The LED’s have a peak emission around 415 nm as shown in Fig. 4.

Violet LED Lamp
Fig.3
Violet LED lamp emission spectrum
Fig. 4

Phosphorescence Spectra

Phosphorescence spectra expressed as light intensity (arbitrary units) as a function of wavelength in nm for each paint sample are reported in the following image gallery.

Results and Discussion

To isolate small quantities of strontium aluminate, two of the more brightly phosphorescent paints were evaluated further.

Eu-doped strontium aluminate is described in the literature as being “slightly soluble in water”. Dispersed in an acrylic polymer may well modify its solubility properties but this was not investigated here. 

Two samples of the most strongly luminescing paints were diluted with 25ml of a 1:1 water:iso-propanol mixture, shaken well, filtered and the filtrate left to settle overnight. The resultant samples were again “washed” with solvent to remove any remaining polymer. A typical image from one sample of the final, dried powder residue is shown here under both room light and UV light:

Room lighting sample
Under Room Light
UV lit sample
Under Near UV

This 1 min video here shows the decay of phosphorescence from one of the paint samples.

Rod cells in the human eye are very efficient at detecting very small changes in light intensity, particularly in the green and yellow regions where our rod cells are most sensitive. So although in the video we still see the phosphorescent glow from the sample, the actual photon intensity is very quickly reduced on a timescale of seconds as the spectra below show. The afterglow, nevertheless, persists for several minutes.

Conclusions

Phosphorescent spectra of a series of twelve luminescent paint samples have been produced showing the changes in wavelength (colour) as a function of dye or pigment used in each formulation.

Leave a Comment

Your email address will not be published. Required fields are marked *

Scroll to Top